The disappearance of technology as camouflage in the ecosystem is the direction proposed by Nona Inescu in her work Where touch begins, we are.
Veda Popovici leaves behind the idea of technology in its anthropological dimension and turns toward TV and the mechanisms through which it shapes human history in her work entitled The Anti-Memory of 1989.
In the back room one can reach Mihaela Drăgan’s performative installation – Kali Mija vs. the Gadge aliens. The tehnoapocalypse – a literal take on the subject of the disappearance of technology. The work makes use of the apocalyptic imagination, which is always connected to the world of fairytales. As is suited for a story about the end of the world, this one is also impossible to record.